Digital Lighting Support


Collage Generator™ Content Preparation Guide

A Step-by-step guide for creating custom media files to use with the Collage Generator Effect. Topics include:

  • Recommended Sizes and Formats for Collage Generator™ Still Images
  • Steps for Sizing Collage Generator™ Content
  • Array Size Configurations for Collage Generator™ Video Footage for DL.3/Axon
  • Array Size Configurations for Collage Generator™ Video Footage for DL2
  • Compression Specification Overview for Collage Generator™
  • Checking Encoded Footage on a standard computer
  • Recommended HD (High Definition) and Standard Resolution Encoders
    Checking Encoded Footage on a standard computer
  • Uploading Encoded Files
  • Recommended Sizes and Formats for Collage Generator™ Still Images
    The DL.2, DL.3 and Axon can utilize still images up to 2048 x 2048 pixels in Collage Generator™ mode. For proportion accuracy refer to "Configurations array sizes for Collage Generator™" below . It does not matter what your dpi (dots per inch) setting are.
    Note: Numerous effects built into DL.2, DL.3 and Axon. Utilzing these effects modes along with placement of images on objects that are moving can yield dramatic clarity and movement to still images even in extreme collage array sizes.
    Note: Scaling up significantly images or footage up will decrease clarity.

    DL.2, DL.3 and Axon Servers support the following still image formats:

    .PNG (can include transparent channel) Video Tutorial
    .BMP (24 bit standard)

    .JPG (RGB 8 bit standard)

    Steps for Sizing Collage Generator™ Video Footage
    Commission or Design High Quality (Visually Clean or Never-Compressed) Video Footage at least 1024x768 pixels in size for DL.3 and Axon, 640x480 for DL.2. Make sure it is a .mov format if you are sending it off for post production. (Extracting footage from a playable DVD is not encouraged as it has been highly compressed and distortion will be present)

    "Light Optimizing" your footage in a video editing program if possible, by boosting Levels and Color Saturation. Save to Photo Jpeg 98%-100% or Animation Non-Compressed (best) format in .mov format.

    • Import Video master footage into an Encoder/Compressor.

    • Output Encoded Footage.

    • Upload Your Custom Content to a DL.2s, DL.3s or Axon Media Servers.

    Array Size Configurations for Collage Generator Video Footage
    The native aspect ratio of the DL.2, DL.3 and Axon output is 4:3 aspect ratio. Different configurations of the Collage Generator™ will output a wide array of aspect ratios for use with multiple fixtures. The table below shows the configurations and resolutions suggested for Collage footage.


    Fixture Configuration Array (width x height) : Lists the number of DL.2, DL.3 fixtures or projectors used with Axons positioned horizontally by the number positioned vertically, each displaying their portion of the content.
    Maximum footage Resolution (width x height) Lists suggested maximum pixel sizes for HD sized movie files to be used with the Collage generator.
    DL2 units: List the number of DL.2, DL.3 fixtures or projectors used with Axons used for each Collage configuration.

    Note:
    In general circumstances the projectors are all mounted at different angles in relation to the projection surface. Keystone correction is necessary. This turns off projector pixels. Keystone correction for each projector is most likely unique. Real world pixels are application dependent, but with control of remote zoom in conjunction with adjusting the actual size of the 3D rectangle inside DL.2, DL.3 fixtures or Axon servers, you can be very precise in making sure your images are the correct aspect once projected. Most times you can stretch one size array footage in DL.2 and it will work fine for another array configuration. The array sizes listed below will assure your footage will not get stretched out of proportion.

                     Central 4:3 Panorama Collage array size chart*

    Fixture Configuration Array
    (Width x Height)

    Maximum footage Resolution
    (Width x Height)

    DL.2s, DL.3s or projectors used with Axon
    2x2
    1024 W x 768 H
    4
    3x3
    1024 W x 768 H
    9
    4x4
    1024 W x 768 H
    16
    5x5
    1024 W x 768 H
    25
    6x6
    1024 W x 768 H
    36
    7x7
    1024 W x 768 H
    49
    8x8
    1024 W x 768 H
    64

                     Horizontal Panorama Collage array size chart

    Fixture Configuration Array
    (Width x Height)

    Maximum footage Resolution
    (Width x Height)

    DL.2s, DL.3s or projectors used with Axon
    2x1
    1376 W x 570 H
    2
    3x1
    1648 W x 472 H
    3
    4x1
    1904 W x 416 H
    4
    5x1
    2048 W x 360 H
    5
    6x1
    2288 W x 340 H
    6
    7x1
    2528 W x 324 H
    7
    8x1
    2624 W x 294 H
    8
    3x2
    1248 W x 624 H
    6
    4x2
    1440 W x 544 H
    8
    5x2
    1584 W x 490 H
    10
    6x2
    1728 W x 448 H
    12
    7x2
    1856 W x 416 H
    14
    8x2
    1984 W x 390 H
    16
    4x3
    1184 W x 646 H
    12
    5x3
    1328 W x 586 H
    15
    6x3
    1456 W x 540 H
    18
    7x3
    1568 W x 490 H
    21
    8x3
    1652 W x 464 H
    24
    5x4
    1152 W x 660 H
    20
    6x4
    1280 W x 616 H
    24
    7x4
    1376 W x 570 H
    28
    8x4
    1456 W x 530 H
    32
    6x5
    1152 W x 684 H
    30
    7x5
    1232 W x 630 H
    35
    8x5
    1312 W x 590 H
    40
    7x6
    1136 W x 690 H
    42
    8x6
    1216 W x 648 H
    48
    8x7
    1120 W x 690 H
    56

                        Vertical Panoramas Collage array size chart

    Fixture Configuration Array
    (Width x Height)

    Maximum footage Resolution
    (Width x Height)

    DL.2s, DL.3s or projectors used with Axon
    1x2
    768 W x 1008 H
    2
    1x3
    640 W x 1200 H
    3
    1x4
    560 W x 1366 H
    4
    1x5
    512 W x 1536 H
    5
    1x6
    474 W x 1690 H
    6
    1x7
    432 W x 1782 H
    7
    1x8
    400 W x 1876 H
    8
    2x3
    864 W x 894 H
    6
    2x4
    752 W x 1010 H
    8
    2x5
    688 W x 1140 H
    10
    2x6
    624 W x 1226 H
    12
    2x7
    576 W x 1310 H
    14
    2x8
    544 W x 1408 H
    16
    3x4
    912 W x 848 H
    12
    3x5
    816 W x 934 H
    15
    3x6
    752 W x 1020 H
    18
    3x7
    704 W x 1106 H
    21
    3x8
    656 W x 1170 H
    24
    4x5
    944 W x 824 H
    20
    4x6
    864 W x 896 H
    24
    4x7
    800 W x 960 H
    28
    4x8
    752 W x 1026 H
    32
    5x6
    960 W x 806 H
    30
    5x7
    892 W x 866 H
    35
    5x8
    832 W x 866 H
    40
    6x7
    976 W x 796 H
    42
    6x8
    912 W x 844 H
    48
    7x8
    976 W x 976 H
    56
    *Subject to change, updated 9-19-07

    Compression Specification Overview for Collage Generator

    Bit rate per sec, bps
    (Visual Quality Setting)

    Constant Bit Rate (CBR) 18,000,000 bps -20,000,000 bps
    (Encoding at higher Bit rates could hinder optimal performance)

    Frames Per Second, fps

    24 fps, 25, 29.97, or 30 fps (Set Encoder fps accordingly)

    Group Of Pictures, GOP

    GOP Structure should be All "I" Frames

    Video Stream Type

    Elementary Stream (Warning: DO NOT use a Program Stream that may have audio)

    Progressive Output The footage should be encoded as a progressive frame file, not an interlaced file
    Color Space 4:2:0 (Warning: DO NOT encode to 4:2:2 or other color spaces)


    Recommended HD (High Definition) and Standard Resolution Encoders

    Windows OS:

    How to Encode Footage using TMPGEnc 4.0 Xpress* Example Tutorial

    Download Demo of TMPGEnc 4.0 Xpress 14 day Trail
    http://tmpgenc.pegasys-inc.com/en/product/te4xp.html
    * Limited to a maximum 1920 pixel wide output

    Example Tutorial How to use TMPGEnc 4.0 Xpress to make a 7x1 Collage

    How to Encode Footage using ExpertHD Example Tutorial
    Download fully functional 30 day Demo of ExpertHD MPEG encoding software
    http://pixeltools.com/experthd.html

    MAC OS X:

    Episode™ media encoding application Example Tutorial
    FREE upgrade to the Episode pro if you have Compression Master
    http://www.flip4mac.com/episode.htm

    * At this time we do not endorse Apple's, Compressor 3 or Autodesk's Cleaner software as they cannot produce all "I" frames mpeg-2 files compliant with DL.2/DL.3/Axon.

    Checking Encoded Footage on a standard computer
    (Warning: DO NOT use a Program Stream that may have audio)
    The CMA now has added functionality that scans your files unpon upload for most encoding errors. Additionally you may use the utilities below to get more information about you encoded files if needed.

    Checking Encoded Footage Using Window OS:

    Windows Media Player will let you view you encoded footage.
    To Check file dimensions go to the arrow down tab in the upper right hand corner of the player window, tab down to file/properties.


    Helpful Utilities for checking encoded Footage using Windows OS:


    Bitrate Viewer is a very helpful free tool that can check the bitrate level, size and gives information about other MPEG-2 properties. Simply drag your file onto the program shortcut or icon to view relevant information.


    Gspot is a PC utility that gives you expanded information about your encoded files. Simply drag your file onto the program shortcut or icon to launch and view relevant information.


    Checking Encoded Footage Using MAC OS X:

    After encoding you file you can easily view your footage with the free VLC Media Player. While VLC does not display the aspect ratio correctly it is effective for determining image quality on PC MAC or Linux. To determine if the file has been encoded at the correct size Download DiVA. Then simply open a file in the DiVA and it will display the dimensions.

    Uploading Encoded Files

    You will use the Content Management Application (CMA) on your computer to upload and organize your encoded files to a User Content folder you create and then assign DMX values. The CMA and a User Manual shipped on CD with your DL.2 fixture. You can also download the CMA and a .pdf version of the User Manual for more information.

    Important note:
    High End Systems Digital Lighting Products utilize RGB lighting projection devices, and are NOT hindered by the darker NTSC or PAL broadcast video color gamut limitations. Footage you acquire often utilizes this dimmer, darker color space designed for viewing on TV screens.

    It's very simple to adjust the Levels and Hue/Saturation of your content for lighting projection. This will dramatically increase light output and your footage will automatically come up at full intensity when programming your production. We refer to this as Light Optimizing. The best time to Light Optimizing footage or still images is in post production. This can easily be done with most image or video editing packages. ......100% brightness and saturation in the reds? Feel free.

    Other Available Downloads:
    Alternate Alignment Grid for Collage Generator
    CMA Application
    DL.2 User Manual.PDF
    DL.2 Software
    High End Systems
    Copyright © Barco Lighting Systems, Inc. All Rights Reserved. Specifications are subject to change without notice.
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